Original Lithograph Signed

Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed


Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed
Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed
Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed
Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed
Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed
Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed
Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed
Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed
Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed

Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed    Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed

Original lithograph dated, signed, numbered and framed under glass treated anti-reflective and anti-uv. Tatin robert (1902 - 1983). Zebre inscription at the bottom left inside the drawing.

The artist draws ink or greasy pencil on a previously grained porous limestone. The stone is treated with an acidic preparation, a mixture of arabic gum and nitric acid, which fixes the drawing and makes the reserved surfaces permeable to water.

The drawing is removed from the gasoline but leaves its oily print on the stone. The stone is moistened regularly and creased in a roll with a printing ink that only adheres to the bold features of the drawing and is repelled by the damp parts. Printing is done with a lithographic press. For colour lithographs, one stone per colour is used and a sheet is reprinted as many times as there are tints. Colour printing follows a precise order, from the lightest to the darkest, from yellow to the final black.

The colours are juxtaposed or superimposed, giving mixed shades. The difficulty lies in setting the sheet on successive stones and locating it so that the drawings of the different colors agree. Source: limited edition, vollard, petiet and master print. Small palace, art museum of the city of betting.

Signed in pencil by the artist. Ea / v / xxxv. Matte/flat black l 7mm, anti-reflective glass and 84% uv treated. The colours are bright, the 84% anti-reflective glass and uv does not allow an optimal rendering for taking photographs.

Very beautiful and rare lithography, especially here in artist's test. French self-taught artist born on 9 January 1902 in laval and died on 16 December 1983 in cossé-le-vivien. Alternatively or successively tailor, carpenter.

Companion of the tour de france, Roma explorer, sardaigne, swiss and Corsican, then for. 5 years from 1951 in southern America, Brazil, chili and land of fire, ceramist. (Golden medaille au brasil), painter, entrepreneur, writer or sculptor, architect and. Builder (the strange robert tatin museum in the frenuse to cossé-le-vivien), robert tatin has. Learned from experience, not knowledge of books.

To know his work, it is necessary. As he says himself, of. We must follow the great stages of his life that have been. The essential sources of his inspiration and of his way of painting. It is impossible to simply take a quick look at the paintings or the works in general, it is necessary to observe for a long time, to leave.

In addition, the reader should strive to follow the artist's thought even in his way of writing the words, with the particular meaning he gives them. It is only by accepting this effort that he will be able to really know robert tatin. Driven by an urgent need to discover and improve more and more in all fields, in paris, he studied the drawing of the body and was interested in the practice of the symbols that existed since the highest antiquity and which were found in a large part of his work: they seemed to him to be a language that reflected the unity of the world. (source: library of work, the universe of robert tatin).

Robert tatin will receive numerous awards, both for his ceramic sculptures and oil paintings: award dante carraro at the biennial of sao paulo, in 1951, for his ceramics and sculptures, gold medal at the paulista salon of modern art of sao paulo, Brazil. Price of criticism in 1961.

Musée d'art moderne de sao paulo, brasil (1950), second bienniale de sao paulo, brasil (1953), Argentinian (1955), chili (1955), galerie guénégaud, paris (1956), galerie de l'Université (1956, 1957, 1959, 1960, 1961, 1963, 1965, 1966), galerie de la salle à vence 1966., galerie jobbé-duval, à reinnes (1967), galerie motte, à genève (1967), galerie de l'Université. Betting (1971, 1972, 1975, 1977).

He has also known and alongside the greatest of contemporary painting: picasso, chagall. Bernard buffet, jean dubuffet, but also giacometti, cocteau, Breton or prevert. Exchange possible on bets, dijon, lyon or laval, if not sent. This item is in the category "art, antiques\art of xxe, contemporary\prints, engravings".

The seller is "libra7515" and is located in this country: fr. This item can be shipped to the following country: france.

    Authenticity: original
  1. type: lithography
  2. period: xxeme and contemporary
  3. support: on paper
  4. Style: 1940-1960 Genre: raw art, outsider art
  5. characteristics: framed, signed, numbered
  6. theme: circus


Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed    Tatin Robert. Zebre. Litho. Original Dated, Signed, Numbered And Framed