Original Lithograph Signed

Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed


Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed
Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed
Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed
Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed
Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed
Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed
Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed
Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed
Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed

Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed   Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed

Original lithograph date, sign, numerote and framed. Artist: satin robert (1902 - 1983). Zebre inscription at the bottom left inside the drawing. "the lithography - of the Greek lithos, "stone", and graphine, "to write. The artist draws ink or greasy pencil on a previously grained porous limestone.

The stone is treated with an acidic preparation, a mixture of arabic gum and nitric acid, which fixes the drawing and makes the reserved surfaces permeable to water. The drawing is removed from the gasoline but leaves its oily print on the stone. The stone is moistened regularly and creased in a roll with a printing ink that only adheres to the bold features of the drawing and is repelled by the damp parts. Printing is done with a lithographic press. For colour lithographs, one stone per colour is used and a sheet is reprinted as many times as there are tints. Colour printing follows a precise order, from the lightest to the darkest, from yellow to the final black. The colours are juxtaposed or superimposed, giving mixed shades. The difficulty lies in setting the sheet on successive stones and locating it so that the drawings of the different colors agree.

Source: limited edition, vollard, petiet and master print. Small palace, art museum of the city of betting. Paper: 50 x 66 cm. Illustration: 39 x 52 cm.

Signature: signed in pencil by the artist. Numero : ea / v / xxxv. The "zebra" takes up the theme of the circus so dear to the childhood of robert tatin. Matte/flat black l 7mm, anti-reflective glass and 84% uv treated. The colours are bright, the 84% anti-reflective glass and uv does not allow an optimal rendering for taking photographs. Very beautiful and rare lithography, especially here in artist's test. Tatin robert (1902 - 1983). French artist self-taught on January 9, 1902 and died on the 16th. In December 1983, he cos-le-vivien.

Alternatively or successively tailor, carpenter. Companion of the tour de france, Roma explorer, sardaigne, swiss and Corsican, then for. 5 years from 1951 in South America, bresil, chili and land of fire, ceramicist.

(gold medallion in bresil), painter, entrepreneur, writer or sculptor, architect and. Batisseur (the strange musee robert tatin en la frenouse a coss-le-vivien), robert tatin has. Learned experience, not knowledge of books. To know his work, he is necessary. As he says himself, of.

You have to follow the great steps of his life that have been. The essential sources of his inspiration and manner of painting.

It is impossible to simply take a quick look at the paintings or the works in. General, you have to observe for a long time, let yourself be. In addition, the reader should strive to follow the artist's thinking in his own way.

To write the words, with the particular meaning that he gives them. It is only by accepting this effort. That he'll be able to really know robert tatin. Push by an urgent need to discover and perfect themselves more and more in all. Domains, bets, he studies the body drawing and is interested in the practice of symbols that.

Exist since the highest antiquite and which can be found in a large part of his work: they. He seems to be a language that translates the unity of the world. The universe of robert tatin. Robert tatin will get many prizes, both for his ceramic sculptures and his. Oil paints: price dante carraro at the biennial of sao paulo, in 1951, for its ceramics. And his sculptures, gold medallion at the paulista salon of modern art of sao paulo, bresil. Price of criticism in 1961. Modern art museum of sao paulo, bresil (1950), second biennial of sao paulo, bresil. (1953), Argentinian (1955), chili (1955), galerie genegaud, paris (1956), galerie de. L'universite (1956, 1957, 1959, 1960, 1961, 1963, 1965, 1966), galerie de la salle a vence 1966., galerie jobbe-duval, a reindeer (1967), galerie motte, a geneve (1967), galerie de l'universite. A paris (1971, 1972, 1975, 1977). He also knew and cotoye the greatest of contemporary painting: picasso, chagall. Bernard buffet, jean dubuffet, but also giacometti, cocteau, Breton or prevert. Preferably handed over on bets or dijon, otherwise sent by global relay. The "tatin robert" item (1902 1983).

1960, signed" has been on sale since Monday, May 17, 2021. It is in the category "art, antiques\art of xxe, contemporary\prints, engravings". The seller is "libra7515" and is located at/in bets. This item can be shipped to the following country: france.

  1. height: 66 cm
  2. Style: 1940-1960
  3. characteristics: framed
  4. Authenticity: original
  5. period: xxeme and contemporary
  6. Genre: raw art, outsider art
  7. theme: abstract
  8. support: on paper
  9. width: 50 cm
  10. type: lithography


Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed   Tatin Robert (1902 1983). Original Lithograph Zebra. Ea. 1960, Signed