Signed in pencil lower right numbered about 100 ex copy on vellum arches size 50 x 65 cm. Perfect condition transport recommends is offered. Pallut Pierre was born in 1918 in gommerville in Eure-et-Loir.
He worked a long time in the workshops of the big cottage in Paris, while those who have never received any real formal education. Back from the war in 1940, he discovered Van Gogh and Gauguin. This is however to Renoir and Bonnard that he feels a decisive enthusiasm. He contemplates and explores their webs. In Paris, he exhibited fleeting show for less than thirty years, the dautomne lounge where he was appointed an associate in 1938, at the show in May.
In 1946-47 he participated in the group \There alongside Braque, Matisse, Bonnard, Manessier rouault, geer van de Velde, Atlan, etc. Around 1950, he left the exhibitions, but continues to work. In 1953, he collaborated with Braque to the achievement of three ceilings of the hall of Etruscan to the palace of the Louvre. It details the exhibitions to 1960.
From 1962 he exhibits at the new realities which he became an associate in 1967. He also participated in other group exhibitions abroad: \\Pierre Pallut also shows her work in solo exhibitions. The first takes place in 1948 at the Maeght Gallery in Paris. It is followed by many other exhibitions: in 1970, cultural center Maydieu in Paris; in 1972 in London, prudhoe gallery; in 1974, in Paris, streaming gallery; in 1976, Monique delcourt in Valenciennes; in 1977, the Centaur Gallery, rods; in 1982, Coard gallery in Paris; in 1989, 1990 and 1994 in Paris, gallery Lambert Rouland. In 1946, the price of young painters, awarded for the first time, is assigned to Pallut stone.
Also for the first award, the award is given Fénéon in 1949. Pierre Pallut painted her still lifes and portraits, noted for the distinction of their color ranges. He also produced wall decorations, such as mosaic in La Ciotat performed in 1971 at the cannes kindergarten school in 1976.The stone work Pallut split in its continuity. From 1948, the painter operates in effect an abrupt evolution towards labstraction. However, despite the abandonment of form, his work is characterized by abstract delicacy remaining in the first period of the painter and who can be called post-impressionism. Klee, stone Pallut retains freedom of speech but Dont forget Renoir. In the second period it continues nen not least the iridescence of his own inner vision, abstract now.
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